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Charlize Theron on the challenges of playing Megyn Kelly

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Charlize Theron is already earning Oscar buzz for her performance as Megyn Kelly in Bombshell, but the actress had doubts about accepting the role of the former Fox News anchor. In an interview with the New York Times, Theron described what she learned by playing Kelly in the film and said that friends had an “awkward” reaction to her gig.

“It was definitely awkward,” Theron explained. “In a weird way, the judgment [Megyn] gets from a lot of people, I felt on me a little bit. But up until four weeks into shooting, I was still grappling with who she was as a person, and it wasn’t until I really zeroed in on that year and a half of the story that I could actually defend her.”

Kelly was one of the many women to come forward accusing Roger Ailes, the longtime chairman of Fox News, of sexual harassment. The film walks a fine line, according to the New York Times, of portraying the journalist as sympathetic when it comes the harassment she faced, while also including her more controversial moments — like when she insisted on-air in 2013 that “Santa just is white.”

“There are things she has said that I’ve definitely had issues with, but it doesn’t invalidate how I feel about her struggle,” explained Theron. “Avoiding all of that stuff to get an emotional arc out of her character, I just didn’t want to be a part of that.”

Theron continued, “By the way, if this was a movie about me — and I hope nobody ever does one — it would be filled with flaws and mistakes, and I wouldn’t want somebody to take those things away. I really do believe that what she and those women went through was messed up, even though they work for a network that I highly have issues with.”

“I would imagine that as the mother of two black children, you didn’t relish re-enacting her ‘Santa is white’ segment,” remarked the New York Times reporter.

“Thank you!” Theron “emphatically” replied. “Yeah, that was hard for me.”

Theron agreed when the reporter made the connection between the similarities in Bombshell and how Harvey Weinstein behaved with the women he allegedly harassed, pitting them against each other.

“Yeah, and he did that to everybody,” said Theron. “Pitting women against each other? He was really, really good at that. There was a lot of, like, ‘Well, I’m talking to Gwyneth [Paltrow] for this movie …’ One of his lines was that Renée [Zellweger] and I slept with him to get jobs. There was no limit to him. Even in the sexual favors, he would still pit us against each other.”

Bombshell hits theaters on Friday, Dec. 13.

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Rosie Perez Testifies at Harvey Weinstein Trial to Bolster Annabella Sciorra’s Rape Allegation

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UPDATED: Rosie Perez took the stand at Harvey Weinstein’s trial on Friday afternoon to testify about her friend, actress Annabella Sciorra, who says Weinstein raped her.

Manhattan Assistant District Attorney Joan Illuzzi had requested earlier on Friday to bring Perez in as a witness, in an effort to bolster Sciorra’s claim that Weinstein raped her back in the early 1990s. Attorneys for Weinstein argued that Perez should not be allowed to testify, since the story is hearsay, but the judge allowed her to take the stand.

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Perez testified that Sciorra had told her decades ago, in the early ’90s, that Weinstein raped her.

Perez said that around 1993, she had called Sciorra to ask if she wanted to go out to a nightclub. But when she called, Sciorra was talking in a strange whisper voice “as if she was hiding from someone.” Perez recalls Sciorra telling her, “I think something bad happened.”

“She said I think it was rape and she started crying,” Perez continued recalling the phone call. “I asked who did it and she said, ‘I can’t, I can’t, I can’t.’ I said what happened. She said I woke up on the floor and my nightgown was up.”

Perez suggested, on that phone call, that Sciorra call the police, but Sciorra said she couldn’t because she was scared and then she hung up the phone. “I tried to call her back all night long and I was so upset, but she wouldn’t pick up.”

A few months after that call, Perez connected the dots and realized that Weinstein was Sciorra’s alleged rapist.

Sciorra did not reveal Weinstein’s name as her alleged rapist during her initial call with Perez, but when Sciorra was in London filming a movie, she says Weinstein was stalking her and showed up to her hotel unannounced. Perez had heard about the incident in London, so she gave Sciorra a call, and Sciorra said Weinstein was harassing her in London and she was “scared he was gonna get her again.” Perez said, “When she made that statement, that’s when I put two and two together and I said, ‘He’s the one who raped you.’ And she said, ‘How did you know?’ And I said, ‘I didn’t know. You just confirmed my speculation.’”

“She swore to me never to tell anybody and I told her you should go to the police,” Perez continued. “She said I can’t. He’s going to destroy me. He’s going to destroy my career.”

Perez says that after the call in London, Sciorra made her promise to never, ever, ever talk to anybody about the situation, so they had not spoken about the alleged rape again until around the time that Ronan Farrow’s article about Weinstein was published in the New Yorker in 2017. (Both Perez and Sciorra spoke to Farrow for the piece.)

Lead prosecutor Illuzzi asked Perez about her conversations with Farrow, and Perez testified that she did not know exactly what was discussed between Farrow and Sciorra. When asked if she suggested Farrow call Sciorra, Perez replied, “I did not directly tell Ronan Farrow to call Annabella.” She then revealed that she told Nicolle Wallace, her former co-host on “The View,” that she should tell Farrow to call Sciorra. (Both Wallace and Farrow worked at MSNBC.)

Crying on the stand, Perez said she told Sciorra that she had told Wallace to have Farrow call her because she “betrayed her promise” to never tell anyone about what allegedly happened. Telling this story was the only moment of the hourlong testimony that prompted Perez to break out in tears.

On Thursday in court, Sciorra testified for six hours. She said Weinstein showed up announced in 1993 or 1994 to her Manhattan apartment, barged into her home, unbuttoned his shirt, threw her on the bed, held her hands down and raped her. Sciorra says she tried to fight back, but she lost the fight, as her body began shaking in response to the attack, as if she were having a seizure. She said she does not remember what happened after, but she woke up on the floor with her nightgown, which was a family heirloom, around her waist.

Weinstein’s defense said in court that Sciorra’s story is not true, and Weinstein has maintained that all sexual relationships with any woman was consensual.

Today, Weinstein’s attorney Damon Cheronis cross-examined Perez, and her re-telling of the story remained consistent, while the lawyer attempted to poke holes in her testimony.

Cheronis repeatedly questioned the source of Perez’s detailed information about the alleged rape, seemingly suggesting that she didn’t talk to Sciorra about the incident in the early ’90s over the phone, but rather, she knew Sciorra’s story by seeing the news about her testimony yesterday or by reading Farrow’s book, “Catch and Kill.” Perez said she did not watch the news or read about Sciorra’s testimony on Thursday, and she said, “With all due respect, I didn’t read the book.”

Weinstein’s attorney asked Perez why she attended premieres for movies produced by The Weinstein Company over the years, if she knew that he allegedly raped her friend. Perez said, “Everybody did,” and noted that she didn’t interact with Weinstein at any of the largely-attended industry events.

Weinstein’s lawyer questioned why Perez didn’t immediately go to Sciorra’s home after she told her on the phone she was raped. “I didn’t go over there because she hung up the phone and she was very upset and I was very upset,” Perez said, adding that she tried to call her over the next couple of days, but she didn’t want to talk about it. “I left it at that because it was very traumatic for her,” Perl told Weinstein’s attorney. “It was so traumatic for her that I was trying to be respectful.”

Perez was on the original list of people who may be called in as a witness or referenced during the trial, along with other notable names, including Charlize Theron and Salma Hayek. (Neither Theron nor Hayek have been called to testify.)

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I am a mermaid • Alice Rosati

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“The mermaid surpasses the identity of a fantastic marine creature, because it is mainly disappearance that she is seeking at any price”

Léa Chauvel-Lévy

C’è tempo fino al 17 febbraio per recarsi alla Galerie Charredeau di Parigi e prender visione delle fotografie di Alice Rosati, fotografa e filmmaker, artista poliedrica italiana di base nella capitale francese.

Le immagini in mostra fanno parte della serie “I am a mermaid”, progetto che è stato raccolto nel libro omonimo recentemente pubblicato da Kahl Editions.

Il titolo è assertivo, sembra quasi un’affermazione di identità, eppure nulla è certo, non ci sono punti fermi a cui aggrapparsi nella lettura delle fotografie di Alice Rosati.

La protagonista è una figura misteriosa: il volto non è riconoscibile, il corpo è avvolto da un involucro in lamée dorato con coda da sirena.

Che si tratti di una versione contemporanea dell’affascinante creatura mitologica?

Siamo forse di fronte ad una seducente incantatrice, capace di muoversi con disinvoltura all’interno di non-luoghi, spesso sfarzosi, che potrebbero essere situati in qualsiasi parte del mondo?

Ancora una volta non c’è dato saperlo con certezza. Quello che possiamo fare, in quanto spettatori, è supporre, provare a immaginare, completare con le nostre interpretazioni una narrazione che si sviluppa per frammenti.

Questa impossibilità di definizione si acuisce quando scopriamo che le fotografie non sono state scattate da Alice ma ad anonimi estranei presenti sulla scena oppure in modalità di autoscatto. L’artista è colei che si cela dietro la maschera. É la sirena che stiamo fissando, è la performer che interagisce con lo spazio e con le persone, è la mente che progetta ogni fotografia, scegliendo accuratamente luoghi, pose, atmosfere.

Ecco cosa stiamo guardando, le tracce di una performance di cinque anni che vedono una sirena assumere forme sempre diverse per mettere in scena, talvolta con ironia, l’assurdità della realtà, la surrealtà delle molteplici esistenze che siamo chiamati a vivere, il senso di smarrimento che proviamo quando non riusciamo a trovare il nostro posto nel mondo.

Alice Rosati sperimenta con se stessa, col proprio corpo e noi con lei.

La sirena contemporanea siamo noi?

Il libro edito da Kahl Editions



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Taylor Swift Bows Out of Unannounced Grammy Performance

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Taylor Swift has bowed out of a possible performance on the Grammy Awards program Sunday night just as stealthily as it appeared she might have bowed into it, multiple sources tell Variety.

Her possible appearance on the show had been kept a secret — albeit not an extremely well-kept secret —  so her exit won’t create the problems that would have occurred if one of the many performers that had been announced were to have taken their leave.

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Sources say that she was never formally confirmed for the show, though hopes were high that the show could nail down an appearance that was well along in talks.

Rehearsal schedules for the taping at Staples Center had included one “TBA” artist that was believed to have been reserved for Swift, possibly performing her most recent album’s feminist anthem, “The Man” … which could have taken on extra meaning, given the charges of sexism swirling around the Recording Academy.

It’s unconfirmed whether her quietly bowing out is directly related to the scandal involving the allegations flying back and forth between the Academy trustees and ousted CEO Deborah Dugan, though speculation that Swift might exit because of that was already rampant among insiders even before her MIA status was confirmed.

Swift attended the premiere of her “Miss Americana” documentary Thursday night at the Sundance Film Festival. Her planned flight out of Park City immediately after the premiere had further fueled speculation that the superstar was needed back in L.A. for the Grammys, before the Dugan situation blew up.

Some observers were surprised that Swift had been considering on the telecast in the first place. She is nominated in three categories this year, including song of the year for “Lover.” But her hit album of that same name had been expected to pick up more. The underwhelming number of top nominations for this most recent release as well as its predecessor, “Reputation,” after Swift had previously been a Grammy darling (winning album of the year for “1989” and “Fearless”) has been put down by some as the result of the committee system that Dugan has complained about neglecting a number of acclaimed, commercial hits in favor of more curious choices. But Swift has taken the high road before, and her appearance was expected to help promote “Miss Americana,” which comes out nationally Jan. 31, as well as an upcoming single. The Dugan imbroglio may have been the tipping point.

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