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Elizabeth Warren’s Birth Chart – What Is Elizabeth Warren’s Sign?

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On June 22nd, 1949, bb Elizabeth Warren was born in Oklahoma City. Over the next 70 years, she would grow up to become a successful lawyer, academic, political adviser, state senator, and now candidate vying for the Democratic nomination in the 2020 presidential election. As a result of her resilient commitment and tenacious stamina, Elizabeth has defied challenging odds to define her extraordinary legacy.

This comes as no surprise to astrologers, as it was already written in the stars. We believe that the planets, stars, and various celestial points mirror our life on Earth. To get a deeper understanding of someone’s personality as well as their past and future experiences, astrologers render a birth chart based on an individual’s exact date, time, and location of birth. For accuracy, these three ingredients are essential.

The bad news? We don’t have Senator Warren’s exact time of birth (Elizabeth, HMU!), so our birth chart analysis yields limited information. The good news? We can still uncover things through the available information on Senator Warren. Let’s take a look!

CANCER SUN

Let’s get on the same page about one thing: You C-A-N-N-O-T be “on the cusp” of two astrological signs. Cusp signs are a lie, and Mercury is never “in retrograde.” Now that I got that off my chest, back to Elizabeth! She was born on the day the Sun transitioned from Gemini to Cancer, but she is absolutely, one thousand percent a Cancer Sun. (If this story sounds familiar, Lana Del Rey recently shared her birth time on Twitter, confirming she is also a Cancer Sun.)

Cancer is the first water sign of the zodiac. Symbolized by the Hermit Crab, the concept of “home” is extremely important to these celestial crustaceans (after all, they drag their houses around wherever they go—it’s essential they enjoy it). It makes perfect sense that Elizabeth cares so deeply about her homeland, the United States of America (which, born on July 4th, also happens to be a Cancer Sun). She wants the country to be a nurturing, safe, and accepting place that’s built on ethical morals and values. Of course, Elizabeth recognizes that change cannot happen without a fight, which points to another very important placement in her chart.

TAURUS MOON

Your Moon sign shows the position of the Moon at your exact moment of birth. While the Sun exudes your daily radiance, your Moon sign represents your inner world and reflects how you feel about everything that happens. It’s the most private area of your chart.

Elizabeth was born under a Taurus Moon, demonstrating that she cares deeply about the physical world. As the first earth sign of the zodiac, Taurus is connected to all tangible resources, including currency and agriculture. There’s no question Elizabeth cares deeply about the wealth discrepancy across the country as well as the ways that climate change will impact both the coastal cities and the rural farming communities. Taurus is known to be stubborn, so rest assured that Elizabeth won’t be backing down anytime soon. Thanks to her sturdy Taurus Moon, she is unwavering in her values.

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Aliza Kelly | Katie Buckleitner

AND NOW, AN ASTROLOGICAL PREDICTION FOR ELIZABETH:

As a Cancer Sun, the Cancer-Capricorn eclipse series has been sending serious shock waves across Elizabeth’s chart. Eclipses tell stories, and since July 2017, major transformation has shifted Elizabeth’s perception of self and purpose (both internally and externally). The most powerful eclipse for Senator Warren will occur June 21st, 2020, when the Sun and Moon in the sky perfectly align with Uranus (the planet of radical change) and the Sun (ego and identity) in her natal chart. Coincidentally (JK, there are no coincidences), this eclipse occurs directly before the Democratic Convention. So will this Cancer 2020 hopeful create her new home in the White House? We, the lowly mortals, will just have to wait and see.





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Offset on his New Fashion Line, Dressing with Cardi, and Why Japanese Designers “Got the Way”

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“Tie-dye is a wave right now,” Offset tells me in an airy Paris apartment, the sun beaming down through a skylight and onto him like a messianic spotlight. “Brown is also a wave right now.”

The Migos rapper should know: he and his bandmates, Quavo and Takeoff, are some of the most out-there dressers in hip hop, mixing colors, prints, and brands with ebullient tenacity.

Still, it’s a big leap to from wearing clothes masterfully to designing them. “Hell yeah, it was a big step,” Offset says. He comes by this knowledge earnestly: while Quavo and Takeoff were front row at every major show in Paris, Offset was racing to put the last minute touches on his collection within a collection for the debut of Laundered Works Corp., a new line by designer Chaz A. Jordan.

Offset had long had design ambitions. “I do a lot of our merch, and I don’t ever have a stylist that shops for me,” he says. “I get in a lot of arguments with stylists.” He met Jordan through Instagram, after following the latter’s streetwear line ih nom uh nit, and they, “ran into each other so many times” over the past three years that it was only natural to discuss designing together. “I like to work with people that I feel are on the same vibe as me,” Offset says, “and want to get the same mission done as me.” People who do “not quick work, but hard work…. A lot of people don’t know, there’s a lot of last minute little touches when you play that shit out.”

“It was a lot of last minute,” Jordan nods, alluding to the small details that brought the collection to the luxury expression they were working towards. “Like, 72-hour last minute.”

“But that’s how you get the best product.”

For Jordan, the idea behind Laundered Works was “if Celine had a men’s line,” noting that “this was before Celine men came out.” So, more specifically: “Taking elements of inspiration from Margiela and Christophe Decarnin, those original Balmain days, and really diving back into what Paris fashion used to be, circa 2010-2013. That was when I lived in Paris, and it was just a different vibe all together.”

Offset and Jordan spoke to GQ the day after their runway show about developing their line and their taste in fashion, what they plan to do next, and the attention-grabbing mesh suit that Cardi B wore to the show. The collection is available for preorder on the brand’s website starting Saturday.

Offset: 2013 was when I was dreaming to come to Paris Fashion Week. I was never able to make Fashion Week because I’ll always have some touring in between that. But we made it happen before I came out here for the runway debut. And I just knew I wanted to work with somebody that I could personally talk to, instead of having a thousand-person team. It takes the organic juice away from the project when you do it like that. Me and him chalking it up, arguing at the crib…

What would you guys argue about?

Offset: “Hell no, I don’t like this fabric!” “You have to do better than this!” “It’s too light,” “it’s too heavy.”

Jordan: It’s not, like, a serious argument.

Offset: It’s not serious. It’s just being creative, and when you get in a creative space, we’re straight up with each other: “Hell no, I don’t like this. This needs to be cut like this.” And if I come up with some wild ass idea, he’ll help me calm it down: “Listen bro, it’s wild. I’m telling you, that’s wild.”



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Rosie Perez Testifies at Harvey Weinstein Trial to Bolster Annabella Sciorra’s Rape Allegation

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Click here to read the full article.

UPDATED: Rosie Perez took the stand at Harvey Weinstein’s trial on Friday afternoon to testify about her friend, actress Annabella Sciorra, who says Weinstein raped her.

Manhattan Assistant District Attorney Joan Illuzzi had requested earlier on Friday to bring Perez in as a witness, in an effort to bolster Sciorra’s claim that Weinstein raped her back in the early 1990s. Attorneys for Weinstein argued that Perez should not be allowed to testify, since the story is hearsay, but the judge allowed her to take the stand.

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Perez testified that Sciorra had told her decades ago, in the early ’90s, that Weinstein raped her.

Perez said that around 1993, she had called Sciorra to ask if she wanted to go out to a nightclub. But when she called, Sciorra was talking in a strange whisper voice “as if she was hiding from someone.” Perez recalls Sciorra telling her, “I think something bad happened.”

“She said I think it was rape and she started crying,” Perez continued recalling the phone call. “I asked who did it and she said, ‘I can’t, I can’t, I can’t.’ I said what happened. She said I woke up on the floor and my nightgown was up.”

Perez suggested, on that phone call, that Sciorra call the police, but Sciorra said she couldn’t because she was scared and then she hung up the phone. “I tried to call her back all night long and I was so upset, but she wouldn’t pick up.”

A few months after that call, Perez connected the dots and realized that Weinstein was Sciorra’s alleged rapist.

Sciorra did not reveal Weinstein’s name as her alleged rapist during her initial call with Perez, but when Sciorra was in London filming a movie, she says Weinstein was stalking her and showed up to her hotel unannounced. Perez had heard about the incident in London, so she gave Sciorra a call, and Sciorra said Weinstein was harassing her in London and she was “scared he was gonna get her again.” Perez said, “When she made that statement, that’s when I put two and two together and I said, ‘He’s the one who raped you.’ And she said, ‘How did you know?’ And I said, ‘I didn’t know. You just confirmed my speculation.’”

“She swore to me never to tell anybody and I told her you should go to the police,” Perez continued. “She said I can’t. He’s going to destroy me. He’s going to destroy my career.”

Perez says that after the call in London, Sciorra made her promise to never, ever, ever talk to anybody about the situation, so they had not spoken about the alleged rape again until around the time that Ronan Farrow’s article about Weinstein was published in the New Yorker in 2017. (Both Perez and Sciorra spoke to Farrow for the piece.)

Lead prosecutor Illuzzi asked Perez about her conversations with Farrow, and Perez testified that she did not know exactly what was discussed between Farrow and Sciorra. When asked if she suggested Farrow call Sciorra, Perez replied, “I did not directly tell Ronan Farrow to call Annabella.” She then revealed that she told Nicolle Wallace, her former co-host on “The View,” that she should tell Farrow to call Sciorra. (Both Wallace and Farrow worked at MSNBC.)

Crying on the stand, Perez said she told Sciorra that she had told Wallace to have Farrow call her because she “betrayed her promise” to never tell anyone about what allegedly happened. Telling this story was the only moment of the hourlong testimony that prompted Perez to break out in tears.

On Thursday in court, Sciorra testified for six hours. She said Weinstein showed up announced in 1993 or 1994 to her Manhattan apartment, barged into her home, unbuttoned his shirt, threw her on the bed, held her hands down and raped her. Sciorra says she tried to fight back, but she lost the fight, as her body began shaking in response to the attack, as if she were having a seizure. She said she does not remember what happened after, but she woke up on the floor with her nightgown, which was a family heirloom, around her waist.

Weinstein’s defense said in court that Sciorra’s story is not true, and Weinstein has maintained that all sexual relationships with any woman was consensual.

Today, Weinstein’s attorney Damon Cheronis cross-examined Perez, and her re-telling of the story remained consistent, while the lawyer attempted to poke holes in her testimony.

Cheronis repeatedly questioned the source of Perez’s detailed information about the alleged rape, seemingly suggesting that she didn’t talk to Sciorra about the incident in the early ’90s over the phone, but rather, she knew Sciorra’s story by seeing the news about her testimony yesterday or by reading Farrow’s book, “Catch and Kill.” Perez said she did not watch the news or read about Sciorra’s testimony on Thursday, and she said, “With all due respect, I didn’t read the book.”

Weinstein’s attorney asked Perez why she attended premieres for movies produced by The Weinstein Company over the years, if she knew that he allegedly raped her friend. Perez said, “Everybody did,” and noted that she didn’t interact with Weinstein at any of the largely-attended industry events.

Weinstein’s lawyer questioned why Perez didn’t immediately go to Sciorra’s home after she told her on the phone she was raped. “I didn’t go over there because she hung up the phone and she was very upset and I was very upset,” Perez said, adding that she tried to call her over the next couple of days, but she didn’t want to talk about it. “I left it at that because it was very traumatic for her,” Perl told Weinstein’s attorney. “It was so traumatic for her that I was trying to be respectful.”

Perez was on the original list of people who may be called in as a witness or referenced during the trial, along with other notable names, including Charlize Theron and Salma Hayek. (Neither Theron nor Hayek have been called to testify.)

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I am a mermaid • Alice Rosati

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“The mermaid surpasses the identity of a fantastic marine creature, because it is mainly disappearance that she is seeking at any price”

Léa Chauvel-Lévy

C’è tempo fino al 17 febbraio per recarsi alla Galerie Charredeau di Parigi e prender visione delle fotografie di Alice Rosati, fotografa e filmmaker, artista poliedrica italiana di base nella capitale francese.

Le immagini in mostra fanno parte della serie “I am a mermaid”, progetto che è stato raccolto nel libro omonimo recentemente pubblicato da Kahl Editions.

Il titolo è assertivo, sembra quasi un’affermazione di identità, eppure nulla è certo, non ci sono punti fermi a cui aggrapparsi nella lettura delle fotografie di Alice Rosati.

La protagonista è una figura misteriosa: il volto non è riconoscibile, il corpo è avvolto da un involucro in lamée dorato con coda da sirena.

Che si tratti di una versione contemporanea dell’affascinante creatura mitologica?

Siamo forse di fronte ad una seducente incantatrice, capace di muoversi con disinvoltura all’interno di non-luoghi, spesso sfarzosi, che potrebbero essere situati in qualsiasi parte del mondo?

Ancora una volta non c’è dato saperlo con certezza. Quello che possiamo fare, in quanto spettatori, è supporre, provare a immaginare, completare con le nostre interpretazioni una narrazione che si sviluppa per frammenti.

Questa impossibilità di definizione si acuisce quando scopriamo che le fotografie non sono state scattate da Alice ma ad anonimi estranei presenti sulla scena oppure in modalità di autoscatto. L’artista è colei che si cela dietro la maschera. É la sirena che stiamo fissando, è la performer che interagisce con lo spazio e con le persone, è la mente che progetta ogni fotografia, scegliendo accuratamente luoghi, pose, atmosfere.

Ecco cosa stiamo guardando, le tracce di una performance di cinque anni che vedono una sirena assumere forme sempre diverse per mettere in scena, talvolta con ironia, l’assurdità della realtà, la surrealtà delle molteplici esistenze che siamo chiamati a vivere, il senso di smarrimento che proviamo quando non riusciamo a trovare il nostro posto nel mondo.

Alice Rosati sperimenta con se stessa, col proprio corpo e noi con lei.

La sirena contemporanea siamo noi?

Il libro edito da Kahl Editions



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